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Apple's DRM and the value of
standards
By Scott Bradner
There has been a lot of whining in the press and the
entertainment business about the fact that Apple refuses to add music encoded
in Windows Media Player to its iTunes store, add the ability to play such music
to its iPod players, or license its Fairplay digital rights management to the
makers of other portable music players.
There is even legislation pending in France that would wind up banning
the sale of iPods and the use of iTunes if Apple does not relent. This controversy, along with Skipe's
use of a propriety VoIP protocol, are two good examples why standards are not
always seen by companies as being in their best interest.
I'm a big fan of standards. I have worked in the IETF for more than 15 years trying to
define Internet-related standards.
I strongly believe that standards can vastly expand the market for a
technology. A perfect example is
twisted-pair Ethernet (a.k.a 10BaseT).
There was a miniscule market for Ethernet over copper wires before the
IEEE ratified the 10BaseT standard.
That market exploded after the ratification.
Standards are also very good for consumers. They foster competition and thus can
reduce prices. The price of
twisted-pair interfaces dropped precipitously after the 10BaseT ratification,
due to both competition and the cost savings from larger production runs and
integration and miniaturization of electronics. That did drive profit margins way down but, for the vendors
who could adapt, raised sales and total profits.
Apple is a strong believer in standards. They are significant participants in
the IETF and quickly adopt IETF and other standards in most areas. So why not in the area of digital
rights management?
Voluntary standards work when multiple vendors decide to use
them and there is a general balance in the marketplace for a product. Multiple vendors have decided to use
the Microsoft DRM but there is nowhere near a general balance in the current
market for portable music players.
Thus it is premature for Apple to consider adopting a standard or
otherwise making their player interoperable with other DRM systems other
players use. The fact that there
is no generally accepted open DRM standard for use on music players complicates
the picture still more.
There is a generally accepted open standard for VoIP but
Skipe has chosen to not use it.
The IETF's Session Initiation Protocol
(SIP) is now being used my almost all VoIP vendors and most standards
organizations including the ITU-T.
But there is not a general balance in the marketplace since Skipe has
cornered the hype and mindset in the peer-to-peer VoIP space.
I expect that both the mind share and the market share of
Apple music players and Skipe VoIP will have to drop significantly before
either adopts standards-based solutions.
Regulations, such as the French legislation requiring that downloaded
music be able to be played on any player, may speed things up but I expect that
Apple might just be willing to call France's bluff, agree to deprive the French
of their iPods while neatly putting the blame on the French government.
disclaimer: Harvard has been known to set the standard for the
higher ed industry in a number of areas but the above exploration is my own.